It was this day that we went out from the city to go to our destination, the catacombs of Rome. Whew! However, we were not allowed to take photos down there, in the underground labyrinth of the chambers. Not so good to get lost there, I remember we were even led to the skeleton of a woman and a child, most probably the early Christians or Jews. We also saw a lot of art works in the form of ancient frescos (wall paintings), little lamps, and wall writings. A Don Bosco brother guided us to the area of St. Ceclia. The place is really interesting plus the stories behind these catacombs.
Pope John Paul II addressed the Pontifical Commission for Sacred Archeology as follows:
"By visiting these monuments, one comes into contact with the evocative traces of the early Christianity and one can, so to speak, tangibly sense the faith that motivated those ancient Christian communities. Walking through the underground passages of the catacombs, one frequently glimpses many signs of the iconography of faith: the fish, a symbol of Christ; the anchor, an image of hope; the dove, which represents the believing soul and, next to the names on the tombs, often one sees the greeting: In Christo.
The catacombs also preserve the tombs of the first martyrs, witnesses of a clear and most steadfast faith, which led them as "athletes of God" to triumph over the supreme trial."
The Catacombs of Rome
They are ancient catacombs, or underground burial places under or near Rome, Italy, of which there are at least forty, some discovered only in recent decades. Though most famous for Christian burials, they include pagan and Jewish burials, either in separate catacombs or mixed together. They began in as much as a response to overcrowding and shortage of land as they were to satisfy the need for persecuted Christians to bury their dead secretly. The soft volcanic tufo rock under Rome is highly suitable for tunnelling, as it is softer when first exposed to air, hardening afterwards. Many have kilometres of tunnels, in up to four stories (or layers). The Christian catacombs are extremely important for the art history of early Christian art, as they contain the great majority of examples from before about 400 AD, in fresco and sculpture. The Jewish catacombs are similarly important for the study of Jewish art at this period.
Today
Currently maintenance of the catacombs is in the hands of the Papacy which has invested in the Salesians of Don Bosco the supervision of the Catacombs of St. Callixtus on the outskirts of Rome.
Responsibility for the Christian catacombs lies with the Pontifical Commission of Sacred Archaeology (Pontificia Commissione di Archeologia Sacra), which directs excavations and restoration.
Catacombs of San Callisto
Sited along the Appian way, these catacombs were built after A.D. 150, with some private Christian hypogea and a funeral area directly dependent on the Catholic Church. It takes its name from the deacon Saint Callixtus, proposed by Pope Zephyrinus in the administration of the same cemetery - on his accession as pope, he enlarged the complex, that quite soon became the official one for the Roman Church. The arcades, where more than fifty martyrs and sixteen pontiffs are buried, form part of a complex graveyard that occupies fifteen hectares and is almost 20 km long.
This catacomb's most ancient parts are the crypt of Lucina, the region of the Popes and the region of Saint Cecilia, where some of the most sacred memories of the place are preserved (including the crypt of the Popes, the crypt of Saint Cecilia, and the crypt of the Sacraments); the other regions are named the region of Saint Gaius and the region of Saint Eusebius (end of the 3rd century), West region (built in the first half of the 4th century) and the Liberian region (second half of the 4th century), all showing grandiose underground architecture. A modern staircase, on the site of an ancient one, was built by Pope Damasus I, giving access to the region of the Popes, in which is to be found the crypt of the popes, where nine pontiffs and, perhaps, eight representatives of the ecclesiastical hierarchy had been buried - along its walls are the original Greek inscriptions for the pontiffs Pontian, Anterus, Fabian, Lucius I and Eutychian. In the far wall Pope Sixtus II was also buried, after he was killed during the persecution of Valerian; in front of his tomb Pope Damasus had carved an inscription in poetic metre in characters thought up by the calligrapher Furius Dionisius Filocalus.
Source: Wikipedia
Wednesday, December 2, 2009
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